A series of abstract compositions built from layered geometry, translucent color, and rhythmic tension. These works don’t explain—they provoke. Circles, lines, and gradients collide in a visual language that’s part mosaic, part melody. Each piece is a study in overlap: of hue, of form, of perception. There’s no single focal point, no tidy narrative—just a field of interactions that shift depending on where you stand and how you feel. Call it structured improvisation. Call it chromatic architecture. Just don’t call it quiet.